From my recent experience on music promotion, I am very much excited to elucidate that if music promoters are not stuck to a specific venue, they must: undergo liaisons with bands and agents to agree for a stage performance on a particular date; negotiate an agreement with the band/agent for the show as regards the fee to be disbursed and the accommodation endowed with by the music promoters reserve a location for that particular date agreed upon for the show; assure that everything required by the band is set in place, especially the backline, lodging, rider, etc., arrange soundcheck times and the running order of the burlesque; venue bound step skip the “contact venue” step. Nonetheless many music promoters who are dubious about making huge sums of money, if any, on an engagement generally bounce the contract. Even if there is exchanging hands with no money at the end of the day, it still becomes a good idea for the band as well as to bind by contract clearly stating things like whether or not music promoters will provide accommodation, who are in charge of the backline, during the soundcheck, the length of the band’s set, what will be fetched by the band for the rider, and surely, how the profits are divided. Music promoters and locations in the area can be got in touch with and tendered services and learn the ropes that mode or promoting career can be tries to obtain off the ground identity.
I take pleasure in inviting you all to http://www.musiciansatlas.com/ to explore all the fun of music.
